National Geographic Workshop in Santa Fe

I’m looking forward to teaching a multimedia workshop at the Santa Fe workshops from February 17-23, 2013.   This week long workshop will be intense and challenging but  ultimately very rewarding. I will be exploring  how to make the jump from stills to video and will focus on helping the students tell more compelling visual stories using video, audio and still imagery.  I will also delve into the process of getting work published from first crafting the initial proposal, finding a storyline, gaining access to subjects and finally editing the work into a cohesive story. Participants will be expected to document a short story and edit it together during the week. I will also talk about the business itself and address issues like writing proposals, understanding copyright, contracts and model releases. This is a workshop about producing real reportage, getting honest feedback, and ultimately how to get work published.

Over the Islands of Madagascar

These are just the first few minutes of the documentary on my work in Madagascar. It will be available in full length as an app in the Apple appstore in July 2011.

Over the Islands of Africa — Madagascar

The sounds of their names alone conjure up thoughts of pristine beaches, spices and the tales of a thousand and one nights. The five-part documentary series “Over the Islands of Africa” follows five internationally renowned photographers as they explore the islands around Africa — Zanzibar, Mauritius, Madagascar, São Tomé & Príncipe and Cape Verde.

The photographers stop at nothing in pursuit of spectacular perspectives for their aerial photographs, stories and portraits, making use of unusual means of transport, from a motorised parachute to a flying rubber boat that can land on land as well as water.

There are few women among the upper echelons of photographers. Ami Vitale is one of them. A frequent visitor to the world’s conflict zones, Ami looks for more than just beautiful motifs. She seeks out the story behind the picture. In Madagascar, she she wants to explore what it means to be Malagasy.

Ami begins her journey on the old pirate island of Nosy Bé in the northwest. Together with the French skipper Nicolas, she sails along the rugged coast to the realm of a king of the Sakalava culture. The daily lives of Malagasy are regulated by prohibitions and taboos that often remain invisible to strangers. Depending on which group one belongs to, it may be forbidden to touch a chameleon, talk about crocodiles or work on Thursdays.

Armed only with her camera and a few newly acquired phrases in the local language, she ventures into villages seldom visited by strangers. The women show Ami how to carry a bucket of water on her head, winnow grain and protect the beauty of one’s skin beneath the blazing African sun. At the Sakalava’s festival in honour of their ancestors, Ami meets the spirits of deceased villagers. She learns that chameleons are harbingers of misfortune and hears the blood-curdling nightly howls of the Lemurs. Ultimately she even gets a private audience with King Momad, one of the last kings of Madagascar.

In Diego, Ami meets the gem trader John. He leads her to sapphire mines, where fortune-hunters risk life and limb in search of the ultimate prize.

Pilot Yves takes Ami to the heart of the island, the Malagasy highlands, in his small propeller plane. The flight affords Ami the chance to take some breathtaking aerial photographs. In the capital of Antananarivo, the picture starts to take shape for Ami. She meets the musician Rajéry, who lets her in on one last secret — the sound of Madagascar, which goes straight to the heart.

Spirits, Kings, Lemurs — Madagascar treats Ami to a multitude of new impressions and spectacular pictures. Director Christian Schidlowski and his team accompanied her on her trip.

Documentary | 2011 | HD | 52 minutes
Directed by: Christian Schidlowski
Dramatization and editing direction: Verena Schönauer
Camera: Sascha Kellersohn
Music: Nils Kacirek
Production Manager: Carolin Neubauer
Line Producer: Markus Breimaier
Producer: Thomas Wartmann
Editor: Ulrike Becker, SWR

Santa Fe Workshop: From Stills to Video

The medium I work in is changing and video is now playing a much bigger role in what we do. Cameras like the one I carry can shoot hd video and it can enhance our abilities as storytellers.  This is already playing a big role in my future but I don’t think I would have had the courage to take the leap into shooting video without one small lie, to Nikon, when they called and asked if I knew anything about making videos.  “Yes of course”, I replied instantly, knowing nothing about moving images or how to even operate the camera. I assumed I’d have time to learn before the shoot but was surprised when they sent the camera only the night before my trip to India began. I frantically studied the manual on the 28 hour long journey and arrived terrified and wondering if I had just made the biggest mistake of my life. Here is the film I made there, an homage to India.

If I had not had the opportunity, I am sure I never would have made the leap but I’m so grateful I did. In a time when media is struggling and searching for a new path, I’m finding that I am busier than ever telling meaningful stories in new ways. Its an exciting time to be a photographer and journalist. I am teaching a week long workshop for the Santa Fe Workshops from February 27 until March 5. I will show my students all the mistakes I made and at the same time, how learning this skill will create more opportunity.

Madagascar

I’m back from Madagascar where I spent a month before the holidays,  discovering the island for a TV show called “Maritime Africa”. It will be a five-part documentary series about the islands around Africa.  SWR/ARTE (German and French public TV) and twelve other European stations will air the show that will be about the islands, their people and the distinct cultures as I document it for a coffee table book.  It was a privilege to work with this incredibly talented group  of people. Check out their website: http://www.filmquadrat-dok.de/ Images will follow soon!

Return to Sierra Leone

I am leaving tomorrow to Freetown, Sierra Leone filled with feelings of anxiety as well as hope. The last time I was there was just a few months after the brutal civil war ended in 2002 that claimed tens of thousands of lives and left more than a third of its population displaced. Yet it is the unspeakable atrocities that are so haunting. I remember back in 1999, Miguel Gil Moreno de Mora, a friend and extremely committed journalist, who was later killed covering the conflict, told me stories of rebels offering their victims the choice between a “long sleeve” or “short sleeve” just as they were about to hack off their victims’ arms. When I arrived, three years later, I saw faces devoid of expression, weighed down by these horrific memories. The goal was not just to kill people but to terrorize an entire population.

Today security and the politics are steadily improving but there is a quieter battle still going on.  One in eight women are dying giving birth. The government recently announced free health care to pregnant women, breast-feeding mothers and children under five beginning on April 27. With only about 170 doctors for more than 5 million people, this will be a daunting task.  I hope this documentary can raise awareness, promote change and help. The doctors, health workers and government are working hard to change the statistics.

If you are interested in learning more about this or want to donate, the following links are to organizations working there.

Unicef

Marie Stopes International

Doctors Without Borders

Amnesty International

Flight for Survival: Rhinos go back to Africa

View the story at msnbc.com

They are huge but gentle, lumbering beasts and there are only eight left on the entire planet. Scientists believe the magnificent Northern White rhinos are nearly extinct. In a last ditch effort to save this species from extinction, the Lewa Conservancy in Kenya cut a deal to airlift the last four breeding age animals from the Czech Zoo to live “free” on the savannas of Kenya. You can read more about the trip in my blog.

What gear do you carry?

I have used Nikon bodies and Nikkor lenses since I began and am currently using the D4, D800 and Df. My choice of lenses really depends on the nature of the assignment. If I am shooting wildlife, I need longer lenses like the 400mm with an extender or the 80-400mm. Most of my work is close and intimate so my workhorse is the 24-70mm or the fixed 24mm 1.8. I like to travel light and often bring just 1-2 bodies with a wide and a longer zoom, two SB-910 speedlights, radiopoppers, a gold reflector and my Manfrotto tripod. If I’m going to a remote place, I carry Goalzero solar panels and am now using the F-stop backpacks for most of my travel. I’ll usually buy medicines in country as they are always cheaper there. Lastly, but perhaps most importantly, I like to bring gifts. It is the minimal that I can do to bring small tokens of thanks for the countless people who give so much to make sure that I am safe and travel well.

Mirages: A Video Shot for Nikon with the D300s

This was my first attempt at shooting video with a still camera. I used the Nikon D300s and experimented in different situations from riding on the hood of a taxi in Mumbai, India to the deadly, blowing sands of the Thar desert in Rajasthan.  Or maybe its the other way around.. more deadly is sitting on the top of an Indian taxi just to get a few images. Dai Sugano, an absolute genius and wonderful journalist, helped me with the editing. Check out his work. Its very inspiring. David Barreda and Ashima Narain assisted me in the field. Not only are they both talented photographers and story tellers, but they also happen to be lovely people. I’ll be posting a blog soon to discuss how I created the video as well as some tips I have for still photographers making the transition into shooting video. These cameras are revolutionizing the business of photography and opening up more avenues for us to develop our story telling.