I am thrilled to be offering The Amazon Rainforest Workshop, a trip and workshop of a lifetime with my two great friends and fellow Nikon Ambassadors, Joe McNally and Tamara Lackey. As your photographic leaders, we will be guiding you through the Ecuadorian Amazon Rainforest and the cultural historical capital of Quito.
Ecuador has the highest level of biodiversity per square kilometer of any place in the world. On this workshop, you’ll be immersed in it. You will float by the banks and tributaries of the Amazon River and spot a wide variety of wildlife all while surrounded by the sights and sounds of the jungle. In Quito, you’ll be overwhelmed by the color and the culture. You’ll see panoramic vistas, historic cathedrals and meet the loveliest people you’ve ever know. And, you’ll be able to capture it all, guided by some of the world’s top photographers.
The workshop will be a complete immersion in photography, storytelling and exploration and will focus on landscape, portrait and travel photography. It will include lectures from myself, Joe and Tamara and daily post-processing lab time as well as a number of optional add-ons.
For the majority of the trip, you’ll be staying in the breezy cabanas of La Selva Ecolodge & Spa, a 5-star luxury eco-resort in the heart of Ecuador’s Amazonian Rainforest. The resort is located inside the Yasuni Bioshere Reserve, home to millions of species of plants, birds, rare animals and stunning scenery. The rainforest will soothe you to sleep and birds will awaken you each morning.
As an all inclusive workshop, all freshly-made, deliciously cooked and table-served meals will be included.
A photographic trip of a lifetime awaits. Hurry and book your spot. This one will fill up fast. Learn more and sign up here.
B&H published an in-depth feature on Ami Vitale, covering the story of her career trajectory from conflict photographer to documenting the natural world. Thanks to one well-timed assignment focusing on people’s relationship to nature in remote locations worldwide, Ami’s whole photographic career shifted.
“That chance for reflection, to look at the natural world, helped me put all the pieces together,” Vitale says of this project. “I realized that all the conflicts I had been covering were ultimately about our resources. That the biggest story, which I had been missing, was our natural world and what we’re doing to it. It was one of the most transformative moments in my career.”
After receiving a Master’s degree in filmmaking, the scope of Ami’s work expanded further, which the story explores along with sharing her advice for other photographers and information on the gear she prefers. It emphasizes her mission to share stories of hope and to encourage people everywhere to take action to preserve the world for future generations.
Read the full feature here.
Over the last two decades, Ami Vitale has travelled to over 95 countries, writing, taking photographs and now making films, driven by belief that telling stories helps connect people rather than emphasize differences. Besides working with National Geographic Magazine, she conducts photography workshops all over the world and is publishing a book, Panda Love: the Secret Lives of Pandas.
In this piece, “How I Got Here: Ami Vitale,” she speaks to Creative Review about how she discovered photography, making an impact and more, and tells the stories of some of her images.
I’m humbled and honored to named the first place winner in the 2018 World Press Photo awards for my National Geographic story “Warriors Who Once Feared Elephants Now Protect Them.” Thank you to all my friends at Reteti Elephant Sanctuary Community United for Elephants for trusting me to share your powerful story, to my editors Alexa Keefe and Sarah Leen for giving us the platform to share it and now to World Press Photo, for further casting the light on this important story of community and conservation.
I was awarded a World Press Photo, Second Place, Nature, stories, in 2017 for “Pandas Gone Wild.” In 2015, I received a Second Place, Singles, award in the World Press Photo Nature category for “Orphaned Rhino,” which is also from my body of work on Northern Kenya, like this year’s prize. This work is a long term examination of the change in the relationship between people and animals in the region.
In the photo above, keepers feed baby elephants at the Retiti Elephant Sanctuary in northern Kenya, the first sanctuary in Africa to hire indigenous women as keepers.
Please have a look all of the World Press Photo stories. Some will break your heart, others may make you laugh and hopefully inspire all of us to work harder to find solutions to our planet’s most pressing challenges.
You can also see my lecture at the World Press Photo Festival, where I shared the full arc of my photographic journey, including this story on the Retiti Elephant Sanctuary.
The BBC published a feature on Ami Vitale’s life and work, “Ami Vitale: A Life Devoted to Photography.” It offers a behind the scenes look at other elements that go into having a successful career in photojournalism, including the need for photographers to often fund their own work in order to do justice to a long term story that extends beyond editorial budgets. The story also focuses on the connection between Ami’s environmental work and her earlier stories about people.
Ami explains: “As a photographer, the more I’m asked to document people and their issues, I realize I’m documenting nature, and the more I get asked to document nature, I realize I’m photographing people’s lives. It’s one and the same. In a world of seven billion people, we must see ourselves as part of the landscape. Our fate is linked to the fate of animals.”
Read the full feature here.
Momondo published an interview with Ami Vitale about her work traveling the world, covering stories that unite humanity – be it endangered animals, local communities or social unrest.
Ami has spent the past 18 years traveling from country to country, telling one story at a time. Whether it’s social unrest in Asia, the last northern white rhinos in Kenya or the award-winning photo story of the world’s most iconic endangered animal, the giant panda – Ami has lived in mud huts, contracted malaria and even donned a panda suit, all in keeping her philosophy of “living the story.” Throughout the years, Ami has kept returning to the same places, engaging with the local communities. She has made it her mission to tell stories that challenge existing prejudices.
Read the full interview here.
This week, I will be taking over The Nature Conservancy’s Instagram account (@nature_africa) with photos of Loisaba Conservancy (@loisaba_conservancy) in Laikipia, Northern Kenya. Loisaba is an important elephant corridor, with more than 800 elephants spending significant time there, and it plays a critical role in maintaining ecological connectivity between Laikipia and Samburu. I am excited to be able to share this special place with you. You can follow along on my Instagram, @amivitale, and with @loisaba_conservancy and @nature_africa.
I wrote up some advice for National Geographic Readers on how to shoot around a campfire. Let me know if it’s helpful.
Sitting around a campfire and telling stories with my friends is one of my favorite things to do on summer nights in Montana. I believe that storytelling is at the heart of what makes us human and is at the heart of what every photographer strives to do.
Campfires also make for interesting images, and it’s a fun way to experiment with slow shutter speeds. The biggest challenge is getting the images sharp and the exposure right, since the light source is always changing.
Photo tip: Focusing at night can be difficult. I shine a flashlight on a person’s face to help my camera focus and once its sharp, I turn the camera to manual focus, taking care not to bump the camera or move the focus ring. Then I measure the exposure of the peoples’ faces around the fire while the flames are still going strong.
In this case, a tripod was essential because the ambient light in the sky was already gone and I wanted a long exposure. I wanted to emphasize the movement of the burning embers so I shot this frame for one second. I would suggest shooting between one and ten seconds, depending on the mood you want to create.
Here I used the Nikon D4S, which has the best sensor for shooting in low light. I shot this image at 1600 ISO and it’s still tack sharp, as if it were shot using 100 ISO. I wanted the long exposure while my friend Amy blew embers to create movement and mood.
Make sure to monitor the strength of the fire. As it dies down, you will need to lengthen your exposure or open your aperture. Shoot as many frames as you can, because each one will look different.
Check out this month’s issue of AFAR travel magazine and the story “COFFEELAND” by writer David Farley. This was an epic journey across Ethiopia tracing the origination of coffee that goes back to the thirteenth century. Legend says that a herder named Kaldi noticed his goats “dancing” after nibbling bright red berries. Kaldi brought the berries to a nearby monastery where holy men declared they must be the work of the devil and threw them into a fire. Yet, the aroma was too tempting and they quickly raked the roasted beans from the embers, ground them up, and dissolved them in hot water, yielding the world’s first cup of coffee.
This journey did not involve dancing goats but I did travel with brilliant coffee expert Geoff Watts from Intelligentsia coffee and the incredible people from TechnoServe who taught me more than I could ever imagine about my favorite beverage. I also got to meet farmers who showed me what they believed was THE ORIGINAL COFFEE TREE. This happened in two different villages and there seems to be some debate over which one holds the original tree. Wherever the truth lies, I do know that the culture around coffee in Ethiopia is a serious affair. Its much more than gulping bottomless cups on the go. For those who’ve been invited to a coffee ceremony, it the highest possible gesture of respect and friendship. If you are attending an Ethiopian coffee ceremony, be prepared for a long wait. A traditional ceremony can last a couple of hours and it feels like a spiritual ritual as incense is burned and the grounds are brewed three times. The first round of coffee is called awel, the second kale’i and the third bereka which actually means ‘to be blessed’.
The experience and knowledge changed the way I will ever think about coffee. Here in the USA, we sling it back but after witnessing first hand the tremendous energy and love it takes to get the best beans to market, I came back a changed woman. And on the advice of these coffee experts, my french press is now sadly sitting in the back of the closet and we are brewing coffee by hand with the best roasted Ethiopian coffee. Here are some of the images from the trip but pick up a copy of Afar to see the whole story.