Montana Ranching, Redefined.

jblNew IMAGES HERE:More and more, people want to know where their steak comes from and how it was raised.  Spurred by growing concern over beef’s environmental impact and the long-term viability of their livelihood, a cohort of Montana ranchers is working to integrate ecological practices into livestock management.

Over the last year, I’ve been spending time with ranchers to understand what it means to ranch in this day and age. Is it possible that cows can be good for the landscape and ranching can still respect the animal, wild or domestic? The ranchers share a deep love of their livelihood and the land. Together, they work with The Nature Conservancy on an integrative conservation effort in the Centennial Valley, to preserve the integrity of the land in a way that benefits both people and wildlife.

The folks at Yellowstone Grassfed Beef believe that by mimicking the behaviors of wild herbivores, calving in the spring and intensely grazing an area for a brief period, before moving on—rangeland health will improve.  These practices reveal a deeper story—one of layered realities and changing times. Resilience, inventiveness and adaptability are not foreign concepts to these ranchers, nor is living at the interface of wilderness. Yet, does the value of what they know and the work they do translate to the dinner plates of those they feed?

The website of J-L Ranch here.

Check out the photos at HERE

The Sub-Arctic Adventure Begins

I’m off for the Thelon, close the the Arctic circle with a group of indigenous children from the Dene’ tribe and will be incommunicado except for a blog we will have on The Nature Conservancy website called Cool Green Science—check it out.

Naturally, I’m very excited for this epic adventure. For three weeks, we will be on canoes and venture into unchartered territory that the tribe believes is the place where God began his work. There will likely be bears, caribou and an un-Godly amount of mosquitoes as big as helicopters but worth it for the privilege of seeing this pristine environment.

Because we have to carry everything, I’m trying to stay light but somehow, it’s never light enough. This time I’m adding the Nikkor 200-400mm for any wildlife we might run into in addition to my usual Nikon setup: the 24-70mm, 70-200mm, a couple D7000 bodies and one D3s. I know I’ll be gritting my teeth as I lug this up in high altitudes but so worth it, right?

I’m also taking the Goalzero Sherpa to power everything and already experimented with it in Africa recently. Worked like a dream and super sturdy for the kind of traveling I do. Lastly, I have a small 10 inch notebook and 2 hard drives to back everything up. Gone are the days of film but I’m embracing all the advances in technology over the past 10 years. Its nothing short of a miracle. I’ll be creating short multimedia stories and making photographs along the way.

Now, I must finish packing. Just got home 2 days ago from a remarkable trip in the Brazilian Amazon… Will blog about that when I return and post new pix from the last few months.

Over the Islands of Madagascar

These are just the first few minutes of the documentary on my work in Madagascar. It will be available in full length as an app in the Apple appstore in July 2011.

Over the Islands of Africa — Madagascar

The sounds of their names alone conjure up thoughts of pristine beaches, spices and the tales of a thousand and one nights. The five-part documentary series “Over the Islands of Africa” follows five internationally renowned photographers as they explore the islands around Africa — Zanzibar, Mauritius, Madagascar, São Tomé & Príncipe and Cape Verde.

The photographers stop at nothing in pursuit of spectacular perspectives for their aerial photographs, stories and portraits, making use of unusual means of transport, from a motorised parachute to a flying rubber boat that can land on land as well as water.

There are few women among the upper echelons of photographers. Ami Vitale is one of them. A frequent visitor to the world’s conflict zones, Ami looks for more than just beautiful motifs. She seeks out the story behind the picture. In Madagascar, she she wants to explore what it means to be Malagasy.

Ami begins her journey on the old pirate island of Nosy Bé in the northwest. Together with the French skipper Nicolas, she sails along the rugged coast to the realm of a king of the Sakalava culture. The daily lives of Malagasy are regulated by prohibitions and taboos that often remain invisible to strangers. Depending on which group one belongs to, it may be forbidden to touch a chameleon, talk about crocodiles or work on Thursdays.

Armed only with her camera and a few newly acquired phrases in the local language, she ventures into villages seldom visited by strangers. The women show Ami how to carry a bucket of water on her head, winnow grain and protect the beauty of one’s skin beneath the blazing African sun. At the Sakalava’s festival in honour of their ancestors, Ami meets the spirits of deceased villagers. She learns that chameleons are harbingers of misfortune and hears the blood-curdling nightly howls of the Lemurs. Ultimately she even gets a private audience with King Momad, one of the last kings of Madagascar.

In Diego, Ami meets the gem trader John. He leads her to sapphire mines, where fortune-hunters risk life and limb in search of the ultimate prize.

Pilot Yves takes Ami to the heart of the island, the Malagasy highlands, in his small propeller plane. The flight affords Ami the chance to take some breathtaking aerial photographs. In the capital of Antananarivo, the picture starts to take shape for Ami. She meets the musician Rajéry, who lets her in on one last secret — the sound of Madagascar, which goes straight to the heart.

Spirits, Kings, Lemurs — Madagascar treats Ami to a multitude of new impressions and spectacular pictures. Director Christian Schidlowski and his team accompanied her on her trip.

Documentary | 2011 | HD | 52 minutes
Directed by: Christian Schidlowski
Dramatization and editing direction: Verena Schönauer
Camera: Sascha Kellersohn
Music: Nils Kacirek
Production Manager: Carolin Neubauer
Line Producer: Markus Breimaier
Producer: Thomas Wartmann
Editor: Ulrike Becker, SWR

Flight for Survival: Rhinos go back to Africa

View the story at

They are huge but gentle, lumbering beasts and there are only eight left on the entire planet. Scientists believe the magnificent Northern White rhinos are nearly extinct. In a last ditch effort to save this species from extinction, the Lewa Conservancy in Kenya cut a deal to airlift the last four breeding age animals from the Czech Zoo to live “free” on the savannas of Kenya. You can read more about the trip in my blog.


The Pacific islands and Micronesia in particular have to deal with the constantly rising sea levels and many fear their small atolls and islands will be washed away in the near future. This image was taken under a wave for the Nature Conservancy for an exhibit titled ” Design for a Living World” on show at the Cooper Hewitt Museum in New York until January 4, 2010. It will travel for another five years in cities around the United States.